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Urban Voice

Game Review: Sleaford Mods' Jason Williamson Assumes Role in Sceptical Examination at Ecstasy Generation Era

Helmed by Portishead co-founder the musician-producer, this scabrous though undernourished debut feature casts a critical gaze on 90s rave culture. Venal pillhead David (the actor) initially steals from an unconscious dealer, then in another flashback tries to burgle his own family home. Before you can say, he's upside down in the wreckage of his car in a forest – and subject to the wrathful eye of the Woodsman (vocalist Jason Williamson). Refusing to extricate David, with no time for city dwellers, he is a fractured society personified: “You’re one of those loud individuals from up on the heath.”

Unsteady Opening and Grimly Amusing Confrontation

The film begins uncertainly, lingering excessively on pedantically chronicling David’s attempt to free himself from his seatbelt, while awkwardly transitioning into flashbacks of his normal activities. The central theme – that the rave-era youth were mainly focused on number one – is clearly conveyed. But these brief episodes are too thin to properly prime us for what to expect when the Woodsman arrives, fuming after David strangles his dog. Nevertheless, a darkly funny duel unfolds – David desperate to escape; the Woodsman denying his container of scrumpy, determined to soaking him instead in embittered discourse. Williamson, exuding ponderous menace in the role, is reminiscent of Michael Smiley.

Visual Flair and Promo-Inspired Sensibility

There is only one key story turn, but it leads to a hilariously staged chaotic run on the woodland paths that veers toward rural terror. Filmmaker John Minton finally gets to go all in with his ostentatious visuals: where he was hunkered down doing impressionistic closeups of bugs in headlights in the opening part, he now goes all out with the full psychedelic grand display, soundtracked to a wild organ version of Ravel’s Boléro. Game feels more like an elongated music video than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into making the leap from the UK video industry.

Game is in UK and Irish cinemas from 17 November.

By

Pamela Hubbard

Maya Chen is a Toronto-based writer and urban enthusiast with a passion for documenting city life and cultural diversity.

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